Our condo has a small area at the front of the living room that is not exactly part of the living room, but neither is it a separate room. The floor plans referred to it as a den. I suppose with an open floor plan, you can call any area anything you want; but I get a kick out of showing guests “the den”.
This was a 30-minute sketch: 4B pencil in my sketchbook. Just trying to capture the light/shadow from the lamp.
Hobos are known to share their brown paper bags. I’m not a hobo, but I am still willing to share mine with you.
This was drawn in class this evening. 18×24 charcoal on Canson drawing paper which was graciously supplied by the instructor. This was too large for my scanner, so I had to photograph it with my phone (because it seemed like too much trouble to dig out the good camera); that dark spot on the bottom-right is my shadow.
So there you have it: the eggs that I’ve been drawing are hard-boiled. Just a little insurance against one of them trying to make a run for it, taking the death leap from the table to the floor in a misguided attempt to escape.
Following the lead of my drawing instructor, I purchased some gesso and have painted a couple of common items flat white. This helps to simplify the light/shadow interaction and allows me to focus more on shape and shade rather than having to worry about things like reflections or distortion caused by viewing things through glass.
You’ll probably see these items appear again in future drawings.
Fall is officially here. Summer activities are no longer in the way, and the weather isn’t completely frigid yet, so it is the perfect time to sign up for a drawing class. The School at the Art Institute of Chicago offers evening and weekend drawing classes, and I’ve been toying with the idea of taking a drawing class for a while now. Classes started on the first of October; I am enrolled in ‘Beginning Drawing’.
I drew these eggs last night as part of my homework. This week was our second class, and the topic was shading. We spent the bulk of the class drawing white objects on a white surface. As boring as that sounds, it turns out to be a great way to learn to see subtle variations of tone; and as you can see, white can actually be pretty darned dark.
My hand-eye coordination still needs some work — the egg on the left is a bit misshapen. But I feel like I am improving even after just a couple of weeks of class. If nothing else, I am becoming much more comfortable with charcoal (check out my previous attempts with charcoal to see what I mean).