Lunch with a Red-head

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For the second time in just over a week, having my sketchbook with me at lunchtime paid off.  If I had left it at home, I doubt very much that I would have seeked out paper and pencil.  But, since I had the stuff with me and a few extra minutes at my disposal, it worked out.

I’ve mentioned my aversion to lettering in the past.  And as I started to draw this, my first thoughts were, “how can I fake the sign?”  And then I almost immediately forgot all about that, and the next thing I knew, I had the whole thing sketched out; and not too badly if I do say so.

In fact, the signage and the roof are my favorite parts of this sketch.  They aren’t perfect, but for what this is–a small post-lunch sketch–I’m quite happy with them.  If I had to guess why, I would point to 3 things:

  1. Practice: I’ve been drawing more days than not for the past 10 weeks (Wow!  When was the last time I was able to say THAT?!).
  2. Confidence: With all that practice comes a certain level of trust that I can make a decent line when I need to.
  3. I don’t know if I can put this into a word or two, but: A willingness to bind and gag my inner critic until the work is done.  Sometimes you just have to convince yourself to shut up and draw.  The more I do it, the easier it is to beat my inner critic into submission.

One thing I think I’m starting to convince myself of is that no matter how difficult the subject matter, it’s all just shapes and areas of shade/color.  Some are a little more complex than others, but that just means you have to spend a little more time looking at them.

Interesting.  This was not my best work; but I feel like it pointed out a lot of really important things.  Oh American fast food… is there no problem you can’t solve?  I mean, besides obesity.

Fed Up With Mallarme

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I’m just bored with this guy. And it shows. His face lacks the character and depth of the original painting, in particular when compared with the jacket (which I am really happy with, by the way).  I’ve lost focus and just can’t seem to concentrate on getting the values to match any more.  So you know what? I’m moving on to other subjects. Maybe I’ll come back to it someday and finish it (don’t hold your breath), but this has taken way too many hours and I’m just not that into it.

More Mallarme

manet_copy_wip3

I had plans outside the house tonight; so I was only able to spend about 45 minutes.

I like the way this is coming together, but there is a war going on in my head.  On one side is an army of perfectionists who want the outcome to be beautiful and accurate no matter how long it takes.  They are highly skilled, disciplined and precise.  On the other side is a rag-tag crew of militant anti-perfectionists (is there really no English word that means the opposite of ‘perfectionist’!?).  They are poorly trained, but hell-bent on swift and decisive action so they can move on to the next battle before they have a chance to think too much about it.

I just wish I could achieve this kind of result without all the time investment.  I have other things I want to draw.  And I want to draw them all NOW.  The thought of spending 4 or 5 more nights on this is not appealing.

Mallarme, Part Deux

manet_copy_wip2I’m feeling a little tired today (didn’t sleep well at all last night, and I have no idea why), but I still managed to spend about 30 minutes this evening on the Manet copy.

I wanted to start with the darkest darks first, so I can judge everything else against that baseline.  I used an 8B pencil and a blending stump for the darkest parts of the jacket.

I have a little work to do to fix the face, but I was pretty sure that if I tried that tonight, it would just make things worse.  I’ll save that for a night when I’m feeling a bit better.

Based on my progress tonight, I’m guessing I have another 3 1/2 to 4 hours of work remaining.  I must keep this in mind and not let myself fall into the trap of hurrying through just to get it done.  I can almost hear my high school art teacher’s voice in my head: “quality takes time”.

Portrait of Stephane Mallarme (Work In Progress)

manet_copy_wip1I’ve been thinking a lot recently about how I’d like to develop my drawing style. As much as I admire the photorealistic work that some people can achieve, and as much as I’d like to get to the point that I can achieve that myself, I think I’d rather focus on developing a painterly style. What better way to develop that style than to copy a few paintings?

This is a work by Manet that I’m copying from an image on my laptop.

So far, I’ve put a grid on the paper (just in case you haven’t noticed), and laid out the basic composition. It took a little over an hour to get to this point.

It’s interesting, because I thought the grid would actually speed up the process. Instead, it only served to point out how far off my drawing is. This is one of the few drawings that I’ve actually pulled out an eraser — I usually just massage the drawing to fit with whatever I happened to lay down. The grid, I guess, serves as the drawing police: “You are out of line! Get back!”

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Original by Manet

This is also my first multi-day drawing. I usually do whatever I can in one sitting, mainly because I don’t want to let all my stuff stay out, taking up space on the dining room table or kitchen counter. Working from a picture helps with that.

Stay tuned…

(For reference, I’ve also included a picture of the original)

Busse Woods Boat Launch

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I’ve been carrying my sketchbook back and forth to work every day for the past few months. I wake up in the morning, get ready for work, and dutifully drop the sketchbook and pencil bag into my laptop case; then off to work I go. I’ve purposely avoided setting any goals like, “I’m going to draw at lunch today,” or “I’m going to stop somewhere on the way to work and sketch the people going by.” Instead, I just wanted to have my sketchbook with me; you know, just in case I get the urge.

Well, today I got the urge.

So, on my way back to the office after lunch, I stopped by a forest preserve along my route. I drove a long way around the lake looking for something nice to look at. Finally, I got to the boat launch and thought, “that’ll do.”

I was only able to spend about 15 minutes on this. Overall, I’m fairly pleased with the outcome (except for the apparent halo around the signpost; but that could be fixed quite easily).

Joe Torre

joe_torre

I was flipping through a recent issue of Sports Illustrated while I was at the barber shop today. It had an excerpt from Joe Torre’s new book in which he gives his side of the story about how the negotiations for the 2008 season fell apart – an interesting story, even if it was a little one-sided. Anyway, there was a nice full-page pic of Joe.

The guy in the chair looked like he was about halfway through the haircut, so I knew if I wanted to draw this image, I’d have to hurry. I was right — I didn’t get very far.

My goal with this was to do a complete scribble job. I didn’t want to make any sort of contour drawing, and I wasn’t going to focus on smooth shading. I wanted to treat the whole thing almost like a paint sketch — no underdrawing; just shapes and areas of color. Instead of using color, I’d could only do shades of gray; due to time constraints I could only scribble them in as quickly as I could.

I would have liked to get a little better contrast, but I think the resemblance is somewhat there. I will probably try this technique again at some point. Giving myself the freedom to just focus on areas of shade instead worrying about getting the contours correct was interesting.

Laughter

laugh

Laughter is one of those things that everyone understands, no matter the language. Even the deaf laugh the same as the hearing. No particular point here. Just sayin’…

This was inspired by a photo posted on thing-a-day.  It also fits nicely with Everyday Matters challenge #53 (Draw a mouth).

The drawing was done entirely with a mechanical pencil (along with a blending stump) in my sketchbook. I can’t seem to get those deep, deep darks with some of my softer drawing pencils (baffling); so even though it takes a little longer, the mechanical is quickly growing on me. It took me about an hour for those keeping score.

Until tomorrow… laugh.

Superbowl Sunday

football

Congratulations to the Pittsburgh Steelers! What a great game. I thought the Steelers were going to run away with it, but nice job by the Cardinals to make it close. Like most Americans on Superbowl Sunday, I celebrated by eating and drinking too much.

This sketch was done with a Pilot G2 mechanical pencil (.05 lead; ‘B’ softness I think); mainly because I’m too fattened-up and lazy after all the food and drink today to get out my good pencils.  Ironic, because this sketch probably would have taken less time with a wider lead.  On the upside: no sharpening required.

Now that football season is over, I can officially start the baseball season countdown.. 10 days until spring training. Summer is just around the corner!

Candy Dish

candy-dishThis is a candy dish I received from an old boss as a Christmas gift.  We leave it out all winter long, because snowmen aren’t just for Christmas, right?

Unfortunately, he has no candy.  So what’s he smiling about, then!?

Can I count this as EDM #204 (Draw Something Frosty)?

Another giant ellipse problem here, I know.   But this was just a real quick one before I head off to bed.  I may make another attempt some time when I’m not so sleepy.

4H and 4B Pencil.

My Go-Bag

timbuk20002This is my favorite messenger bag (yes, I have  more than one, shameful as that is). It is the perfect size for carrying my sketchbook and pencil bag around town.  I can get a book, my iPod, phone, and a bottle of water in there too.

I know I’ve already posted an entry for Everyday Matters Challenge #3 (Purses, Wallets, or Bags), but I’m doing this one for extra credit, OK?

Only two pencils on this one (HB and 2B). No blending, either. I wanted to keep it simple and loose.

On a side note… It’s interesting that the longer I’ve been sketching, the bigger my sketches have gotten. When I look back at the first few pages of my sketchbook, most of my work was tiny. I could have fit a half dozen of these bags on a single page. Today, I ran out of room. Now, I know that running out of room is just the result of poor planning on my part. No secret there. But the fact remains that, for some reason, I’m drawing bigger.

Shell Disaster

shellsWe keep a nice little jar of shells on the counter in our guest bathroom. I probably should have left well enough alone on this one.

Where do I begin?

Well, let’s start with the perspective. Or lack thereof. I clearly was not standing still, or I wasn’t paying attention to what I was doing. Or both.

There is very little definition within the jar between the shells. My wife looked at this and said, “looks like there’s a dead perch in there.” Oh my God, she’s exactly right! Oh my, what have I done?

The background/foreground is just a mess. Just shear sloppiness. Sometimes that works out OK for me, but tonight… well, it didn’t.

Sometimes you can save a sketch. Sometimes you can’t. This one, I’m not even going to try. [Sigh]

Funny. I was just talking with a friend of mine today, saying that I need to learn to take the bad days with the good. So, here’s to Karma, I suppose…

Oh yeah, and even though this one ain’t so hot, I’m still counting it against the Everyday Matters Challenge #207 – Draw a Shell.

Now then… move along.  Nothing more to see here.

Can of Soda

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I belong to an online group called ‘Everyday Matters‘. It’s a group of artists dedicated to drawing/painting/sketching everyday items: shoes, wallets, food, etc. If you are an artist who struggles with picking a subject, or if you just want to hang out online with a great bunch of people, check them out.

Each week there is a different challenge. This is my entry for challenge #205 — Draw a Soda Can.

We don’t normally keep soda in the house. So I had to go buy one just for this. And since I paid good money for it, might as well drink it, right? Now I’m going to be awake all night… should have bought something without caffeine.

I was looking forward to this challenge, because I often shy away from lettering. There was no away around it with this challenge; every can of soda has a distinct logo with distinct lettering. Nobody is going to recognize a Dr. Pepper can without its logo. The lettering is a little sloppy, but the overall placement is fairly accurate; so let’s call that a wash.

I must admit, though, laziness got the best of me on this one. There were a number of really interesting reflections that I didn’t fully capture (I got some of them, but I ignored a bunch more). And I probably should have pushed the darks a little more. As it is, though, this took me a lot longer than I expected it to.

My ellipses are much better than in the past (if still a little lopsided); so score 1 for that.

Pencil (4H, HB, 4B) in Strathmore sketchbook.

Toothpaste

toothpaste0001My tube of toothpaste caught my eye this morning as I was getting dressed.

I had several false starts with this one.  First, the straight part of the tube was too long compared to the rolled part.  Then the cap was entirely too small.  Then the rolled part of the tube was ginormous in comparison to the straight part of the tube.  Good thing I have an eraser!

Finally, I remembered the advice I keep giving myself… do a 30-second gesture drawing.  That did the trick.  In less than a minute, I had all my major proportional problems knocked out.  Must remember that trick for next time.

Once I got over that initial hump, I had a lot of fun with this one and am pretty happy with the way it turned out.  I kind of wish I’d done it on proper drawing paper instead of in my sketchbook.

Pencils in Strathmore sketchbook: 6H, 4H, HB, B, 4B.  Lots of blending with a stump and chamois.  1.5 hours  (kind of a long time to spend in the bathroom, huh?).  That hard gray fade and hard edge on the right are scanner anomolies.

Teapot

teapotHere’s a twenty minute sketch of the teapot that sits on our stove.

I’ve been wanting to draw this guy for a while, but have been putting it off for some reason.  There’s lots of interesting shapes and varying textures.

I sort of messed up the symmetry on it.  Probably a result of my leg falling asleep partway through, so I wasn’t able to sit perfectly still.  Although a 30 second gesture drawing probably would have helped with that.

I took the opportunity to play with a chamois and a blending stump to help differentiate the plastic handle from the rest of the body and to help convey the smoothness of the teapot itself.

On this one, I used only a B pencil.  In retrospect, pulling in something from the H range probably would have been a good idea for the plain metal parts, and something much softer to deepen the shadows.  But, being tired and just trying to squeeze a few minutes of sketching in doesn’t lend itself to really putting in all that extra work.

Negative Space

chair_negativeI am really unhappy with this. I considered not posting it at all, but then I thought there are probably a lot of other people who are considering picking up a pencil, but who don’t do it simply because they’re afraid to suck.

Well, let me tell you… it’s OK to suck. That’s why it’s called a sketch book and not an art book.

Anyway… the idea behind this is that you draw the shapes around the primary object instead of drawing the shapes of the primary object. By drawing the shapes around the thing you really want to draw, the left side of your brain is able to take control, because the shapes become more abstract. Instead of drawing the stretchers between the legs of the chair, you’re just drawing some interesting triangular type shapes.

chair_positiveUnfortunately, my proportions were all out of whack. The chair is too tall on the top and/or too wide at the bottom.

I was so unhappy with the negative drawing that I thought I’d take a stab at a more traditional sketch. That one didn’t work out so well either. Better, but not particularly good.

Well, some days are better than others. Guess I’ll just have to chalk this one up to “just one of those days”.

Both of these are 2B pencil.

Bananas!

bananasThese bananas are not ready to eat yet – still too green.  So instead of eating them, I decided to sketch them.

It’s funny how confidence comes and goes.  I saw someone else’s sketch of some bananas a while ago, and I thought how difficult it must be to get the lines and proportions right; a banana does have rather unique shape after all, and it would be easy to tell if you got it wrong.  So I avoided the them.  But when I saw them sitting on the counter this morning, I couldn’t not draw them.  Sure, I see things I’d like to fix, but it’s just a sketch, right?

Media: 4B graphite in sketchbook

Copying a Picasso

Pablo Picasso drew this portait of Igor Stravinski.

I’m reading Drawing on the Right Side of the Brain, and one of the first exercises is to copy this portait.  The twist, though, is to draw it upside down.

The idea is trick your brain into a mode where it can no longer say things like, “Oh, that’s a nose.  I know what a nose looks like.  No need to look at it anymore, just start drawing.”  By flipping the image upside down, you begin to lose track of what it is you’re drawing; and you focus just on drawing the shapes.

Now, Drawing on the Right Side of the Brain is definitely a book for beginners.  It is targeted at individuals who think they have no drawing talent and could never learn how to do it.  And for my part, I waffle between moments of crushing self-doubt and certainty about my own mediocrity.  I have no illusions that I am a great artist; but neither do I think I’m a rank beginner.  So I question whether I need to revert to a book so basic as this one.

picasso_stravinski_dotrsotb_flipped

Still, I think there is something I can learn by returning to the absolute basics.

So, I dilligently followed the rules… I flipped the image over and drew what I saw.  The head is a little small, but I was surprised by how close I actually got.

Handy Dandy

handI haven’t drawn a hand in more than twenty years.  From what I recall, they’re hard to draw.

The thumbnail area is a little wonky on this, and the top of the thumb where it bends toward the hand is a little off as well.  But overall, I’m surprised at how well this turned out.

Ellipses are Hard

potI really thought I was doing a good job with this one.  That is, until I finished, took a few steps back, and looked at critically.

The top opening of the pot is massively crooked.  So, a couple of lessons out of this one…

1.  I need to do an overall gesture sketch before diving into the details.  Ellipses are especially hard for me to get right, so I need to focus on this.

2.  I need to spend more time looking.  Looking and comparing.  And when I see discrepancies, I need to be OK with making adjustments.

Still, I like what I did on the handle, and I think I did a decent job capturing the varying textures.

Boxes

boxesBoxes are surprisingly hard to draw accurately.  Their simplicity is, I think, half the difficulty.  It becomes easy to fall into the trap of drawing what you think a box should look like instead of what it actually looks like.

The individual boxes look OK.  But I think I’ve got the perspective a little messed up.

Messy, Messy

unmade-bedOK.  I admit it.  I didn’t make the bed today.

But I did draw.

I’ve felt that my drawing style has been too stiff, and I wanted to do something very loose — almost scribbling.  As it turns out, this technique is called “scumbling”; and it was a favorite technique of mine back in the day.

I had forgotten about it until it just came out of my pencil today.  It more or less “just happened”.  I was getting tired of smudging my drawings, so I decided to hold my pencils more like a paint brush.  The result was a very loose, almost out-of-control sketch.  I really had fun with this.

Once again, my perspective and proportion are off.  The bed is a queen-size, but you’d never know from this rendering.  And it looks like the footboard is narrower than the headboard. Still, I feel like I’m making progress.