My First (Real) Acrylic Landscape

 

I’ve taken a little time off from painting the last few weeks.  Spent a week tending to family matters, then just struggled to get back on the painting wagon.  I finally found the time, energy and motivation to dig out my paints.

Landscapes have always troubled me.  I enjoy looking at them – even the not-so-great ones; but I struggle to capture them well.  Add to that the fact that I’m still very new to acrylic painting, and you get the above.  Now before I go any further, let me just say that for where I am and what I’ve done in the past, I’m relatively happy with this.  However, I struggled with most everything about this except for the under-drawing.

But that IS the point, isn’t it?  To struggle?  If you aren’t struggling, you aren’t improving; right?

 

Boats

This small (5 x 7 in) painting is from a photo my wife took while on a trip to San Francisco.  I’ve drawn from this photo set before, and I just really enjoy looking at boats; so despite the complexity here, I decided to tackle it anyway.

I was challenged by a lot of things in this painting. Perhaps I was trying too many things at once, but I learned quite a bit.

I didn’t care for the pronounced canvas texture in my last painting, so I coated this one in several very thick layers of gesso earlier this week.  I’ve only done a couple of paintings, but I’m fairly certain I prefer the smoother texture.  I will alternate the next several paintings to see if I change my mind.

I started this painting with brushes that were probably inappropriately large for this size painting.  By the time I finished, though, I was using a much smaller brush.  I tried to use a palette knife to create the masts, but I haven’t figured out the touch for that yet, resulting in a mess; I actually did better using the tip of a flat brush.

I screwed up the hills in the distance. They were a nice gray-purple, then something possessed me to wash them with raw sienna – turned them to mud.  I desperately need to spend some time working on color theory.

But the big thing for me, was that I loosened up a bit.  I focused more on the big shapes than on producing a photographic representation.  I worried very little about getting the details in – you’ll notice most of the masts in this painting don’t actually connect to anything.  It was a lot of fun.

Plains Crossing

I hate this one.  Hate it.  Just… hate it.  But this blog is about my progress as an artist – not a showcase of only my best stuff. I know that, at some point, I will get better and I’ll start making stuff I actually like.

Grain Mill (attempt #2)

I tried painting this last week with pastels, and it was a disaster. I could not get the shadows dark enough, so I put it away frustrated. This one (done in watercolor) is better, but I’m still not thrilled with it.  I just can’t seem to make darks that don’t turn out muddy and overworked.

Autumn Fruit

I have no idea what kind of fruit this is; just something my wife snapped while on a morning trip to Morton Arboretum last year.  I was looking for something with simple shapes so I could focus on mostly on my approach to color, and this seemed to fit the bill.

What I learned is, I have a lot to learn.

Specifically, I need to figure out how to get darker darks and lighter lights from my pastels.

Portland Headlight

As most of you have figured out by now, I’ve been avoiding color work; at a certain point though, you have to face your fears.

While on vacation in Maine, I noticed a proliferation of pastel paintings.  I was inspired to buy a small set and give them a try. These things are amazing.  Dry media, that blends like and looks like oil paint.  They can even be erased with a plain old plastic eraser!  It took a few tries to find a decent paper to use with these, though.  I landed on something that resembles fine-grade sandpaper.

Anywho… This painting was really just to try out the pastels and see what they can do.  I wasn’t too concerned with getting the proportions just right or about making a realistic image.  Also note that the image above is a bit more red than the actual painting due to the fact that I shot the pic with my phone under the dining room lights.